Monday, 19 May 2014
Overall Review
Admittedly my podcast Hasn't quite turned out how I thought it would. The have been a few changes due to circumstance and access difficulties which I mentioned earlier in my blog. However After tweaking a few things and making the final adjustments so that the transitions run smoothly, the podcast gives a short snapshot into the life of and countryman working with the Hunt. It educates the audience about what the responsibilities are of the huntsman and how the ban has affected them.
Paper Edit
- Spring day sound
- Fox Howling
- Hunting horn
- Hounds
- Horses galloping
- Tally-ho call
- My Introduction and Introducing Mark
- Mark command
- Mark Talking about training the hounds
- Mark talking about the hunts
- Hunting Horn
- My narration of the Point to Point and introduction of Andrew
- Atmosphere of the Drinking Tent
- Commentator of the Race
- Andrew talking about the Point to Point
- Horses Clearing a hurdle
- Mark Importance of the Point to Point and the community
- Point to point finish line of a race
- Hunting Horn
- My experience with working with the hounds
- Gate opening
- The hounds
- Horses walking and women chatting
- Mark talking about women's roles
- Andrew Talking about women's roles
- Hunting horn
- Mark talking about ignorance
- Hunting horn
- My perception of the ban
- Protesters at a meet
- News headline - 8 years on...
- News headline - the ban
- News headline - Money Spent
- David Cameron Statement
- Protesters shouting
- Marks experience with Anti's
- Protesters Shouting abuse
- My ending statement
Narration
After listening to Lee's feedback, I went back into the audio booth to record more of my own narration, I decided to talk about my experiences with the different aspects of Hunting life, for example what it was like when I worked at the kennels when I went to interview Mark as well as the point to point.
Also after reviewing my ending I decided it may be more powerful if I ended the podcast myself with a defining statement.
This also help me address the other concerns that Lee raised, by adding more narration I was able to give further insight into women's roles with in hunting and why it is like that.
Also after reviewing my ending I decided it may be more powerful if I ended the podcast myself with a defining statement.
This also help me address the other concerns that Lee raised, by adding more narration I was able to give further insight into women's roles with in hunting and why it is like that.
Review with Lee
List of aspects to think about and improve
- Introduce the Characters and Location - The audience don't know who the characters are or where they are. By introducing them it makes the Podcast easier to follow.
- Marks Comment about a 'Strong girl' may seem sexist
- When talking about women's roles Andrews comments about the 'petticoats' seem dismissive, there needs to to be more on women's roles.
- There needs to be more of my own voice with in it to give it more direction. Will help with splitting up the male voices.
Friday, 16 May 2014
Music, or the lack of.
Something that I have been up in the air about with my podcast is the the use of music. When music is used in a podcast, it is there to provoke emotion. My aim for my podcast is not to pull on heart strings it is to reveal realities, so I decided that the use of music within it would take away from what I am attempting to do. After creating soundscapes and sound art, it would sound cluttered with music as well.
Wednesday, 7 May 2014
Editing - Sound Art
After Attempting sound art as a test at the start of the term, although I was not confident enough to choose it as my topic it was something that I wanted to incorporate within my podcast. A theme that is approached in my podcast is the idea that society have made their choices about fox hunting through the media and the popular choice. I wanted to represent this through sound art by having a short blur of news headlines and protests that have previously been published and seen by the public. By doing this my podcast is making an example of the activists and exposing their hatred.
Saturday, 3 May 2014
Editing- Soundscapes
As radio is a blind medium, and my Podcast is made up of interviews, it is important that I create what is happening with sounds. For my hook, I am creating a what seems like a peaceful spring day which is then interrupted with the calling cry of a fox, which is followed by the sounds associated with hunting, to create the picture of a hunting field. This will draw the listener in to the podcast wanting to hear more.
The majority of my interviews with Mark have the background noise of the kennels with the dogs backing, and working machinery in the background. However the interviews with Andrew and my narration are done in a quite office and the audio booths, therefore I need to use the sound that I have sourced to illustrate what is being said.
Thursday, 1 May 2014
Editing- High Frequency
When editing the interview I did with mark in his office, there was a high frequency in the background the whole way through the interview, I had to fiddle around a lot with the Graphic Equalizer and the Parametric Equalizer to find a compromise with the noise and alienating his voice. Although the technicality of the sound isn't perfect, by locating it in the kennels the listeners relate the echoing with the sound of the kennels.
Saturday, 26 April 2014
Complications
One of my ideas for the podcast was to have a sound-walk in it. I have attended two different hunts now which because of the season, it is not possible to foot follow as the hunts in the spring season are too fast. However I managed to get enough recordings to create my own hunts that tailor to my podcast.
Another aspect of my podcast that I have found difficult was when listening back to my interviews, the answers that I received from my subjects were practiced. As the topic of my podcast is a sensitive one, for farmers and huntsman, I had to approach it gently, considering they are talking about their livelihood. Mark in-particular was very enthusiastic to talk about his work, however it was as if he was on television and he was covering his tracks with everything he said, which made it difficult to find original statements that didn't sound like they had been rehearsed.
Hopefully I can use my own voice to guide the narrative and keep the pace of the podcast interesting.
Another aspect of my podcast that I have found difficult was when listening back to my interviews, the answers that I received from my subjects were practiced. As the topic of my podcast is a sensitive one, for farmers and huntsman, I had to approach it gently, considering they are talking about their livelihood. Mark in-particular was very enthusiastic to talk about his work, however it was as if he was on television and he was covering his tracks with everything he said, which made it difficult to find original statements that didn't sound like they had been rehearsed.
Hopefully I can use my own voice to guide the narrative and keep the pace of the podcast interesting.
Tuesday, 22 April 2014
20th April Following The hunt
Location: Crockstead Equestrian Centre
Weather: Sunny, no wind
Equipment
· Marantz
· K6
Aim
· To get recording of the hunt
· Recording of the horses
· Recording of the atmosphere
· Follow the hunt and gain experience
Outcome
I went to follow the hunt at Crockstead, There was a big
turn out and I recorded the huntsman and masters with the hounds as well as the
subscribers on their horses. When the hunt set off I followed in my car so I
could record them passing me in the field. I also got the recording of a quiet
countryside field for atmosphere in my podcast. The recordings went well and I
was able to get clear sound of the hunt in action.
Wednesday, 9 April 2014
Role of women
After putting together the interviews I have currently got, the role of women is a theme that is something I would like to look further into. Ideally I would like to get the perspective of a woman within one of the hunts, and what her view is on women's roles and equality. I have contacted Sarah Siggs, Andrews wife, who one of the masters with the Old Surrey and Burstow. Unfortunately I have had an unofficial reply through her daughter Harriet that she does not want to be part of the podcast.
I haven't of yet got any other contacts for women in hunting, however I will email mark to see if he can pass me on to someone else.
I haven't of yet got any other contacts for women in hunting, however I will email mark to see if he can pass me on to someone else.
Saturday, 5 April 2014
3rd April Interview with Mark Bycroft
Location: Old Surrey and Burstow Kennels, Felbridge
Weather: Sunny, no wind
Equipment
· Marantz
· K6
· Clip mic
Interview questions
· How would describe Fox Hunting?
· What is your role as huntsman?
· Describe the importance of the Hunting
community.
· How has the Ban affected your business?
· What is your experience of Anti’s
· Do you think ignorance has a part to play
in the violence?
· Why do you wear the uniform
· How do you train the hounds?
· Is hunting a patriarchal society?
· How has the women’s role changed within
hunting?
· How would describe country life?
Outcome
My interview with Mark has been the most interesting so far,
When I first arrived, he handed me a broom and we scrubbed the kennels, he then
took me to feed the hounds, this meant going into the slaughter house,
something that I was not overly keen on.
After feeding the hounds horse meet, he allowed me to work the hounds,
teaching them commands and giving them exercise. Eventually We went to his
office for the interview in which he very passionately talked about his life
and beliefs about hunting. After the office I recorded him working with the
hounds and he talked me through what he did with them. Mark will definitely be
the core of my podcast as well as my own experiences with him. The recording
technically needs a bit of cleaning while in the office as there is an echo,
but the recording in the kennel is great with the back ground noise of the farm
and the dogs.
Saturday, 29 March 2014
Andrew Siggs Interview 27th March
Location: NFU Office
Weather: None
Equipment
· Marantz
· K416
Podcast Hypothesis
What is Country life? It seems that only
the people within the close nit communities know. Like everything, country life
has a particular stigma surrounding it, isolation, tweed jackets and blood
sports. This is what I want to subvert. I want to make the unknown, known.
Invite my listeners to understand more about what happens in the countryside.
To give an insight into a live that is opposite to their own, but to which they
can relate.
Topics that I would like to cover
-
What growing up in the country
is like and the community that comes with it.
-
The role of women within the
farming community and how it has changed over time?
-
What affect the Ban has had on
country life, if any?
-
An outline about ‘The Hunt’ as
a community and its role in country life.
Outline Questions
-
Please could you briefly
outline your background in relation to hunting and the countryside community?
i.e. Childhood, previous jobs/positions
-
How long have you been hunting
for?
-
What is your current role
within the community (if not already covered)?
-
Can you describe the relation
between the Hunt with the Farming community, how they are connected and support
one another?
-
To what is seen as a
patriarchal society, how has women’s roles changed within it and would you say
that women now have an equal role to men?
Outcome
The interview with Andrew went really well,
I gained a lot of material that will very useful for my podcast, especially the
insight he gave me about the role of women in the farming society. His outlook
was on the situation was diplomatic but he also gave his own opinion on the
subject as well as the NFU’s opinion. Technically the recording went perfectly.
Wednesday, 5 March 2014
Chasing Love by M Macias
I really enjoyed the start of this podcast, with the use of the different levels of voices and and sounds. As well as the truth behind what there were saying, the sound lulled you into wanting to listen to the rest of the podcast. It made the listener interested in what was going to be said next. Also by using a few different voices copying each other, it gave a sense of 'wholeness', and willed you to believe what was being said was real.
This podcast has made me thing about the hook of my own podcasts and how I will use sounds to draw in my listeners. Unlike 'Chasing Love' my podcast will use the contrast of light and harsh sounds to bring pace to it. I think that this will help me entrance the listener, and help them hear from my perspective.
This podcast has made me thing about the hook of my own podcasts and how I will use sounds to draw in my listeners. Unlike 'Chasing Love' my podcast will use the contrast of light and harsh sounds to bring pace to it. I think that this will help me entrance the listener, and help them hear from my perspective.
Monday, 3 March 2014
For the Blood is Life
Produced by Julia DeBruicker
"In June, as you’ll hear, everyone in rural Appalachia is out — the birds, the
hounds, the children from school — and the mountains are at their most luxurious.
Summer’s alchemy has a way of disguising how lean the coalfields of eastern Kentucky
can feel when what you’re trying to do is make a living. Summer emphasizes fullness,
possibility, a resurrection of sorts.
This piece chronicles one family doing their part for that resurrection. In a place centered hungrily and for too long on the harvest of timber and coal, the Fraziers are carving out a new way of making a living that doesn’t destroy the homeplace, and even chimes into its imaginative renewal. Their small-scale meat goat operation aligns the Fraziers with a whole movement of rural families cobbling visionary livelihoods into new economies by marrying local knowledge with the global tide. Their work is sustainable and rooted. What they mine is ingenuity"
The family slaughter the goats the way that Jesus was crucified, They have a very extreme view on the way they kill the goats, as well as this the podcast informs the listen about goat farming and meat. Although I don't believe that Fox hunting is extreme, others do. This Podcasts manages to humanise the the way the family kill the goats even though visually it may seem inhumane. This is what I aim to do. I am to make, something that many people who know little about it think is inhumane, the way of the countryside and something that is necessary.
http://transom.org/2004/blood-is-life-julia-debruicker/
"In June, as you’ll hear, everyone in rural Appalachia is out — the birds, the
hounds, the children from school — and the mountains are at their most luxurious.
Summer’s alchemy has a way of disguising how lean the coalfields of eastern Kentucky
can feel when what you’re trying to do is make a living. Summer emphasizes fullness,
possibility, a resurrection of sorts.
This piece chronicles one family doing their part for that resurrection. In a place centered hungrily and for too long on the harvest of timber and coal, the Fraziers are carving out a new way of making a living that doesn’t destroy the homeplace, and even chimes into its imaginative renewal. Their small-scale meat goat operation aligns the Fraziers with a whole movement of rural families cobbling visionary livelihoods into new economies by marrying local knowledge with the global tide. Their work is sustainable and rooted. What they mine is ingenuity"
The family slaughter the goats the way that Jesus was crucified, They have a very extreme view on the way they kill the goats, as well as this the podcast informs the listen about goat farming and meat. Although I don't believe that Fox hunting is extreme, others do. This Podcasts manages to humanise the the way the family kill the goats even though visually it may seem inhumane. This is what I aim to do. I am to make, something that many people who know little about it think is inhumane, the way of the countryside and something that is necessary.
http://transom.org/2004/blood-is-life-julia-debruicker/
Tuesday, 25 February 2014
Podcast Progress
Unfortunately I am having a bit of difficulty managing to get hold of people within the hunt who I can interview. However I have called in a few favours with some of my local Hunting friends who have passed on a few numbers which I will attempt.
The first Is Mark Bycroft, Mark is the Huntsman of the Old Surrey and Burstow Hunt, and runs the kennels in Felbridge. Unfortunately Mark has had quite a bit of Trouble with Activists and has recently been caught on camera lashing out at a masked saboteur, but there are two sides to every story.
The second is Andrew Siggs, Andrew is a senior agent of the NFU, he has been hunting since he was six, and his mother ran a riding school, where my Mum learnt to ride.
The first Is Mark Bycroft, Mark is the Huntsman of the Old Surrey and Burstow Hunt, and runs the kennels in Felbridge. Unfortunately Mark has had quite a bit of Trouble with Activists and has recently been caught on camera lashing out at a masked saboteur, but there are two sides to every story.
The second is Andrew Siggs, Andrew is a senior agent of the NFU, he has been hunting since he was six, and his mother ran a riding school, where my Mum learnt to ride.
Friday, 21 February 2014
Hildegard Westerkamp
“Imagine radio that, instead of numbing us to sounds,
strengthens our imagination and creativity; instead of manipulating us into
faster work and more purchasing, it inspires us to invent; instead of
overloading us with irrelevant information and fatiguing us, it refreshes our
acoustic sensitivity; instead of moving us to ignore thoughts and surroundings,
it stimulates listening” (Westerkamp; 2002:89)
"The majority of her compositional output deals with aspects of the acoustic environment: with urban, rural or wilderness soundscapes, with the voices of children, men and women, with noise or silence, music and media sounds, or with the sounds of different cultures, and so on. She has composed film soundtracks, sound documents for radio and has produced and hosted radio programs such as Soundwalking, and Musica Nova on Vancouver Co-operative Radio."
'From the Indian Sound Journal' is one of Westerkamps recording in which she recorded snapshots of places she had visited in India. It takes the listener to locations they have never been or seen and creates the atmosphere and makes an unfamiliar place, familiar through sound. This is something that I want to capture within my podcast; Fox hunting is something very little people know about or have truly experienced, I want my podcast to inform my listeners and create sounds and atmosphere that they can link to the topic.
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